Feels like uncovering a dusty old rave cassette from the back of a Vauxhall Nova, 'cept the tracks on it are from a rickety old space station set on the dying days of Neptune. The only real comparisons to draw are from Jamal Moss' Mathematics label, and indeed some of the rampant excursions in noize and rhythm that him and Steve Poindextor recorded under Africans With Mainframes. Laced with distortion and fearless abandon the squadron delve deep into hiss and static, armed with a modest selection of sound devices. Sherbert house goodness from a clutch of radar skippers who drop a blink-n-you'll-miss-it compilation of hardware driven fizz n fuzz. STAFF COMMENTS Matt says: Futureboogie close off their 10 year tenure with another brilliantly balanced EP from DC Salas here.ī1. On his two other originals, DC Salas gets raw and grungy on ‘Gliding Sound’, its distorted edge adding to the drama composed by the heavy hitting synth lines and the gnarly percussive pattern, whilst ‘They Don’t See It’ introduces some dark acid elements to the chugging rhythm and steely hi-hats anchoring the tracks off-kilter melodies. The legendary French disco architect and Versatile Records mainstay, I:Cube, floats in on a little fluffy cloud for a terrific ambient dance version, fueled by the kind of IDM brain scrambling sounds once present in the DNA of producers like Carl Craig, B12, Black Dog and Autechre. In its original mix, ‘The Weight Of Uncertainty’ dips into a smorgasbord of sound, as touches of Belgian new beat slide on up against Balearic disco tropes for a spectacular Body & Soul workout. ‘The Weight Of Uncertainty’ EP illustrates the suave sounds that the Brussels born producer has become noted for, and comes backed with a remix from the supremely talented and always on-point I:Cube. Having already impressed via a slew of releases for Correspondant, Live At Robert Johnson and his own Biologic Records, DC Salas tees up an impressive release for Futureboogie. Sounds a bit like "Windowlicker" in many places. STAFF COMMENTS Matt says: Precision perfect mainframe glitches from a true scientist of the circuit boards. It’s a focus captured by his artist name FFT, short for Fast Fourier Transform, a process by which signals can be converted from temporal or spatial to frequency domains, or in the other direction.
His body of work demonstrates an impressive, evolving artistry, exploring harmonic and textural sounds underlined by a powerful devotion to computer-based production.
Through transmitting under a series of obscurant aliases, he composed and created while leading a nomadic life between houses, cities, occupations and attractions. Josh Thompson has released music dispersed across a number of labels, including The Trilogy Tapes, Low End Activist’s Bruk Records, his own Super Hexagon imprint and more. The EP presents three meticulous, spacious tracks that channel bass-heavy tendencies with whirring details that showcase masterly sound design in a controlled yet aggressive delivery. Essential.īristol-based composer and producer FFT signs to Numbers for "Disturb Roqe". Completely new source material given that psychedelic twist we love. STAFF COMMENTS Matt says: Osaka's cosmic wonder boy Mori Ra graces us with a quadruple clutch of cosmic power edits. A very special release where the Japanese artist has involved his son who helped with choosing the source material for the record.
Mixing unknown sources with ethnic references, wicked percussion, charming marimbas and an endless reel of psychedelic elements, this is a record done for the soul - spiritual, mystic, highly addictive and 100% danceable. Staying loyal to his eclecticism, Mori Ra approaches the dancefloor with a hedonistic direction more exuberant than his previous release on MM Discos. Mori Ra strikes back at MM Discos with “Gaia Edits"! After the successful release back in May on the label, Da Silva and DJ Katah welcome again Osaka’s best record collector with 4 new high quality editions.